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We then experimented with yellow ink of varying opacity to create the right effect in the 2nd screen, which has the film's characters set into the background. I wanted them to just be barely visible, or at least not noticeable at first glance, but to still have a strong yellow tone for the central tape label. You can see a nice blueish reflection when looking at the print at an angle.
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We ultimately went a little darker with it but I think the basic effect was achieved.
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At the end of the run I threw some blue ink on the screen to see what happened:
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Off to trim, sign and edition the prints now, then to get my humpin' face on for tonight! Check out the Nashville Scene's cover story on the film, and the video below featuring one of the humpers tracking down Jim "Riddler" Ridley.
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